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Practice
operating the camera before the event. Talk to
the other camera operators and the knowledge worker operating the
video mixer to establish which "shots" each camera will
be responsible for. Stay alert for views that only your camera can
capture. Using the walkie-talkie headsets for communication between
the camera operators and the video mixer operator can make for a
better video and reduce the chance of missed "shots".
Zoom
- Use your camera's zoom feature sparingly. The zoom lens enables
you to go from a wide angle view to a close up at the push of a
toggle. Zoom too much and your video will look like you're on a
roller coaster, and will make it difficult to watch. Zoom slowly.
Start with about five seconds -- a slow "one one thousand, two one
thousand" -- during which there is no movement, then zoom in or
out at a speed which is virtually imperceptible. At the completion
of your zoom, remain stationary on the new scene for at least five
seconds.
Pan
- Remember that there are two sources of movement when shooting
video: the subject your are shooting, and the camera itself. You
can keep the camera steady and allow your subject to move. You might
choose to do this when video taping the front of the room facilitator
in the radiant room. You zoom back and let the facilitator move
in the frame. The most common camera move is a "pan," in which you
traverse the camera from side to side. To do a pan smoothly you
must use a tripod. You let the camera follow the motion of your
subject in a "pan." You follow the subject with the camera as they
move. Be sure to leave enough room in front of the subject so that
your audience gets a sense of where the subject is going. Otherwise
your subject will appear to be running into the edge of the frame.
Think of it this way: If the frame were divided into thirds, and
your subject was walking from frame left to frame right, you would
try to keep the subject in the left-hand third of the frame as you
followed the action with your camera.
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