facilitation manual

mg taylor modeling language
explore a brief explanation of the models.


design formation model

The model represents a variant of a process employed by architects and builders the world over. It consists of seven stages which architecture typically applies to the built environment. For purposes of this workbook, the stages will be looked at from the vantage point of the transition manager.

The Design Formation process is one of education-not of one expert educating an ignorant potential user, but of co-designers pressing against the boundaries of intuition, meaning, and logic, to uncover what they truly know and what they don't know. Discovering that you don't know something is the first step to knowing it.

Design Formation includes the following elements:

  1. Bringing intention to the process of invention.
  2. Asking the question, what is it that asks for shape and form.
  3. A shared sense of exploration, surprise and discovery among all the members of the design team.
  4. A process of bringing something into being.
  5. The actual thing brought into being.
  6. A model about modeling.

Here are the stages from the vantage point of the transition manager:

Program. Listen for, envision, recreate stories that reveal broad themes. Search for patterns in the complex web. Follow pathways of beauty. Embody archetypal journeys and characters. Uncover what matters to you. Love deeply and risk all for that love. Discover passion and the elemental forces calling you forward. Listen to the drums, your own heartbeat, the breath of the universe. Choose to live to be alive on the raw edge of apprehension. Be still. Then consider what you are being called upon to create and answer with truth and strength and intent.

Schematic Concept. Draw one hundred sketches. The axiom says, in every adverse condition there are hundreds of good solutions. Work rapidly like an artist who's sketching a live model who changes position every minute or so. Capture the essence. Strive to embody the patterns and themes in simple, strong, confident strokes. Or write one hundred songs. Or paint one hundred masks. Or act out one hundred scenarios. Improvise. See the thousand faces of your truth and intent.

Preliminary Design. The schematic and the program are engaged in a dynamic and sometimes fierce dialog. If an AND solution (an Infinite Game) can be found at this time, the final creation will be alive. If the design is compromised by too much attenuation, the final creation will not be alive. Loop back to the program via Evaluation often in order to reacquaint yourself with the truth of what was revealed to you.

Design Development. Purpose and intent made sharp and clear, deliberate and decisive. Revealing the hidden patterns that will allow the final creation to breath, grow, evolve, expand beyond itself into its own expression. The synergy between all components becomes apparent and the flows are natural.

Contract Documents. Precision. Detail that approaches infinity. The revelation of a factual and recursive design. [recursion: a system whose successive manifestations are generated by applying the essence of the system itself to its previous manifestations.] The most living, vibrating, clear expression of the vision that can be made. Something that at once inspires and instructs so that many can be employed with as little direction as possible. At this point the team is bound by their own laws to deliver the program as a living system.

Production Management. What care do you bring to your skill, to your tools, to your team, to the ideas that have come this far? Span the space between the idea and the physical manifestation. Assert mastery by serving your art. In rapid, on-the-spot, spontaneous fashion, you will be called upon to improvise, reconsider, reprove, improve.

Evaluation. At every stage of the process you have the ability to enter this sacred space. And why is it sacred? Because upon the moment of initial evaluation you face your creation, you face what has drawn you to this point, to this day, to this end. In the early stages, the creation may lack clear form and substance, but consider that even a program is a creation. You may reach out a trembling hand and embrace it. And in the encounter you will learn something of yourself and of life, a gift of value beyond measure. Don't just take a clinical look, open your eyes and see. Take this gift and let it lift you to the next stage and on to an ever-expanding and uncompromising vision.

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